Saturday, January 30, 2021

ADDITIONAL RESOURCES TO CHECK OUT!

 I believe more in the scissors than I do in the pencil. – Truman Capote

Thinking about the various ways that I introduced revision in my classroom, I remembered a series of videos from Annenberg that we used in our staff development work.  Originally we purchased a set for our work through the Minnesota Writing Project; however, I discovered that you can now access them online at learner.org. Even though they are a bit dated, they are definitely worth viewing.  

Maybe now, when you are spending more time online and seeking support from other writers, these videos would be helpful.  The videos are available in several subject areas and for all grade levels.  I spent some time reviewing again Inside Writing Communities, Grades 3-5; Write in the Middle, Grades 6-8; and Developing Writers: A Workshop for High School Teachers.  The videos cover several of the subjects that we have been writing about in our blog and include authors such as Katie Wood Ray and Linda Rief.  You might even spot Mary Cathryn Ricker (our own Commissioner of Education) during her teaching days in St. Paul.  Check them out! 

Inside Writing Communities, Grades 3-5

Write in the Middle: A Workshop for Middle School Teachers

Developing Writers: A Workshop for High School Teachers

This video workshop presents practical and philosophical advice for teaching writing in high school.

 

Wednesday, January 27, 2021

REVISION

 Just as in responding to a student's writing, we don't talk about mechanics/editing, so it is with revision. Revision is a reflecting on and reorganization and/or addition or subtraction of thoughts and ideas - a time to think about the reader and how to get the reader to think and feel the ideas and emotions the writer has put in place. Editing/mechanics is the last phase of the writing process, and I won't touch on it here.

So, how do we get students to revise? It's difficult. Once it's on the page, students generally consider a piece finished. Moving their ideas around, dropping out parts, adding to or substituting words for what they've already written is a foreign concept unless they have been taught differently. Many (maybe most) students take suggestions for change as criticism of their entire thought/writing process. So, how do we sensitively deal with revision?

My favorite revision strategy to start with is Adding. When teaching writing, the most common problem I have seen is brevity. Students get the basics on the page and consider it finished. To help them understand the essential need for revision, use a piece of your own - one you've written using the barest of details. Post it where students can easily see it - this can work with an overhead projector, Smartboard, paper copy tacked on the wall or a copy sent to their computers. While students are looking at your draft, read it aloud and then ask questions: Is there anything more you would like to know? What do you think is missing? Which part do you want to know more about? What doesn't make sense to you? 

As students respond, jot down their questions/suggestions. This is an important part of the process. If the writing is posted on the wall, you can give students post-it notes to paste next to the piece. If it is on the Smartboard, students or you can jot the questions down on the piece...you get the idea. The important thing is that you, the writer, have a host of ideas that you can use to revise your piece. 

Step two is to take the ideas given to you and revise your draft, presenting the new piece to students the next day. Generally, we suggest that the writer chooses what they want to respond to or include from the suggestions, but I think, for the first example, try to include everything suggested. Finally, read your new draft to students the next day. Additional questions can then be asked: Is there anything I should now leave out? Does some of the information added need to be moved? Which draft do you like better?

Once students see how this works, they are more interested in opening up their own writing. They can try this by swapping drafts with a partner or work in trios. When students turn in their final drafts, I ask them to attach earlier drafts and any notes/suggestions they had for revision. A portion of their grade is dependent on their going through the process.

Finally, this means that we don't expect students to write just one draft. We are teaching process - that good writing comes from reflection and revision of drafts. We need to provide time and opportunities for them to use the process.

Helpful Books: Deep Revision by Meredith Sue Willis, The Revisers Toolbox by Barry Lane and The Revision Toolbox by Georgia Heard

Saturday, January 23, 2021

Even More Thoughts on Conference (Writers') Groups

“Good writing is a kind of skating which carries off the performer where he would not go.” 

                                                                                                    – Ralph Waldo Emerson

 

One of the reasons that Micki and I have offered several posts on this subject is that so many resources for providing feedback and establishing successful writing groups exist. We wanted to share with you ourexperiences.

 

I entered the field of teaching thinking that students would receive the best feedback from me -- and the suggestions that I could offer them.  After all, wasn’t that what I was supposed to do? I didn’t realize how many more “instructors” existed in the classroom.  Thinking about the importance of employing conference groups reminded me of my introduction to the use of them.  I really don’t think I knew anything about such sharing until my first encounter with National Writing Project teachers.  Up until that time, I basically wrote for, and received feedback from, an instructor.  Any feedback/suggestions from colleagues came only when I solicited their assistance with an assignment.  From participating in conference groups myself and discussing with colleagues and students the benefits of the group work, I became a convert.

 

Creating and using conference groups in my classroom was/is a learning experience. One of my first “go-to” books, A Community of Writers by Zemelman and Daniels, included information on ways for creating the groups (make –up/ size), ways to arrange the room to allow for noise and movement, reader’s role and suggestions for providing responses, and giving/receiving feedback constructively. It also contained useful information for preparing students to participate in writing groups.  In order for students to work collaboratively, I found that we needed as a class to discuss appropriate behavior for collaborating.  Having a class discussion about expectations of working in a group and setting up guidelines definitely help toward having a successful experience.

 

Learning how to participate in writing groups is extremely important.  It is not unusual to encounter a student (or students) who questions the value of such an experience.  I clearly remember one of my better writers asking why s/he should share writing with writers who weren’t as competent. What could be gained? Students need to realize that they learn by doing – something that teachers definitely know.  Also, different purposes exist for writing groups: generating ideas, drafting, revising, editing.  The instructor needs to determine if the same students stay together throughout an entire assignment.  Continual spot checking on the dynamics of the group is critical – maybe have the students turn in a quick note at the end of class on what worked or didn’t work that day.

 

As we wrote previously, it is extremely important that students know each other and are comfortable with the expectations of the classroom before you introduce conference groups. However, once the class is ready to work in small groups, your writers have the opportunity to benefit from activity.

 

Good luck – we really encourage you to share your experiences and questions about conference groups.

Sunday, January 17, 2021

More About Responding to Student Writing

Responding to student writing is so tricky, and yet, so critical that Muriel and I decided to focus a bit more on it. For me, conferencing with students as they are writing in class is the most successful way to give immediate feedback. I either walk around and stop at individual student desks or have them come up to my desk individually. You will know what works best for you. I have found that if I mingle with the students, I need to drag a chair or stool with me as it gets difficult to crouch down for four or five hours in a day. (Sometimes all my classes are at the same point in writing.) You might think about that when scheduling your workshop days.

I usually start with "How's it going?" and end with, "So, what will you do next?' As Nancy Atwell, In the Middle, emphasizes, the goal of our conferencing is to get students thinking beyond what they have on the page. How might they expand, cut back, provide emphasis, or explain in order to help their reader understand what they are trying to get across.

In Teaching Adolescent Writers, Kelly Gallagher, when responding to student writing, talks about focusing on two separate areas: craft and editing. I think it is critical that we let students know early on in the year that editing is the last step in their writing. Like me, I'm sure you have had students hung up, sentence by sentence wondering if their words are spelled correctly, if they have commas in the right place and whether or not they have any run-on sentences. Often, this is what peer editing amounts to, unless we show students the difference between editing and craft before we conference with them.

One technique that I've found helpful is to share a draft of my own writing and have students give me feedback. Before we start, I set parameters: they can ask questions, comment on something they don't understand or share what stands out to them in the essay. No editing comments/questions are allowed. This has always been quite popular. Once we understand what "feedback" looks like, I ask several students if I can share their papers anonymously, and we go through the same process.

Once students understand the process, we can break into writers groups in class, and students can get feedback from one or two peers. While the class meets in groups, I walk around, listen in and make comments where needed - particularly as we begin the process. In this way, I am modeling for students how to respond to each other. I mix students with different interests and abilities so that they get to see the variety of writers in our class, and I give them a different task each time they meet depending on our current classroom emphasis. If we are learning about effective thesis statements then that's what they are looking for in their groups.

For me, response groups are intended for writing that ultimately culminates in a finished product. Everyone does not need to be writing to the same prompt (although they could be) but everyone is generally doing the same type of writing. I think it's difficult for students to respond to poetry, argumentative essays and short stories in the same timeframe. So, think about the purpose of your response groups. If the class is focusing on one area of craft then, what students bring to the group should reflect that area.

This is a great time of the year to set up groups. You and your students are familiar with each other and with the online aspect of teaching, it's perfect for sharing something you've written. Once you've set sharing parameters and students understand the concept of feedback, they can go into online groups and screenshare their writing with their groups. You can still "mingle" and share thoughts by joining each group for a minute or two.

Please share your efforts with us! We'd love to know what your class is writing at the moment.

Saturday, January 9, 2021

Happy New Year!

 Happy New Year!

This was always my favorite time of the school year -  the beginning of that great period  when we have flow, and students are in a routine. Over the holidays I usually found time to map out the remainder of the semester, get caught up on grading, and generally rejuvenate. I hope that was true for you this year.

In the last post I sent before the holidays, I mentioned The Teaching Channel as a great resource for ideas and activities to energize you and your classroom. Here is one more opportunity to investigate it through videos and other resources. Enjoy!

Teaching Channel logo
Notebook flaylay
Goodbye 2020!

It's been said many times this year but there truly has never been a more difficult year to be an educator. All of us at Teaching Channel have been inspired by all the teachers, admin, principals, coaches, district leadership, and all others in schools who have risen to the unprecedented challenges facing them. Thank you so much for all you do!

 

We've decided to make our five most popular videos of 2020 free until January 4th. If you're looking to do some Winter Break PD, you can find those videos plus our five most popular blogs from this year below. 

 

We have a lot of exciting things planned for 2021 that we can't wait to share with you. Until then, have a safe holiday season!

 

Best Wishes,

 

Teaching Channel Team

Most Popular Videos of 2020

New Teacher Survival Guide: Classroom Management

Watch a new teacher use 7 classroom management tips to change her classroom.

Creating a Comfortable Classroom Environment

See how to reinforce positive expectations with specific, intentional strategies.

Claims, Evidence, & Reasoning: Lesson

Observe one teacher using the KLEWS strategy to help students develop scientific explanations.

Ready to Learn: Creating a Positive Classroom Culture

Get ideas for how to build a safe and inclusive classroom community.

Setting Expectations on the First Day of School

Watch how students help make classroom rules on the first day of school

Most Read Blogs of 2020

1. Five Ways to Start Your Lessons by Gretchen Vierstra

"By now, you probably have your routines in place for how you start your day or class period. But sometimes it's good to mix it up. Or maybe you're looking for an exciting entrance to a specific lesson plan. Just like writers, teachers often need a hook!"

 

2. Six Ways to Support Your Students During Isolation by Alyssa Abel

"A month ago, you might have been thinking about prepping your classroom for testing season. Now, with the unprecedented pandemic situation and the precautions schools are taking to protect their students, tests are likely the last thing on your mind."

 

3. Top Five Vocabulary Strategies for English Language Learners by Erica Hilliker

"50,000 words by high school graduation. That’s the challenge English Language Learners (ELLs) face if they want to catch up to their native English-speaking classmates. That’s almost 4,000 new words a year if a student begins school as a kindergartner!"

 

4. How to Do the Feedback Loop in Distance Learning by Jennifer Pieratt

"Every teacher knows the power of an “over the shoulder glance” when it comes to checking for understanding. But how do we do this in a virtual classroom?"

 

5. 5 Key Strategies for Ell Instruction by Rebecca Greene

"We're glad we can show through this video series ways that these 7th grade ELA teachers prepare their learners by activating prior knowledge, scaffolding meaning making with complex texts, and developing ELLs' discipline and academic language practices in ELA classrooms."

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